Slow Tempo

Taught by Peter Kyle and Scott Giguere

July 814, 2018
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Images from previous Slow Tempo workshops

Slow Tempo is an approach to physical performance that incorporates a slow movement practice with an improvisational sensibility. Taught by choreographer Peter Kyle and actor Scott Giguere, the Slow Tempo workshop combines the physical training method of Japanese theater director Shogo Ohta and contempo­rary dance techniques with the goal of training indi­viduals to appreciate the moment-to-moment fact of one's “being here.”

Slow Tempo has broad application in all of the per­forming and creative arts, and provides opportunity for learning valuable life skills through contemplative practice. This work helps individuals develop:

  • Improved concentration,
  • Sensitivity to the totality of thought and motion,
  • Greater efficiency in use of the body,
  • Refined skills in composition and silent narrative.
Daily sessions begin with a thorough full-body warm-up, instruction in Slow Tempo technique, and structured improvisations allowing for free exploration of moving in extreme slowness where Ohta believed “we find fresh expression to defamiliarize our daily experienceto look again.” Throughout the week all participants will develop their own movement composition to be performed on the final day of the workshop. Subject to enrollment, returning workshop participants or practitioners with equitable experience will work in select breakout sessions that focus more deeply on applying the principles of Slow Tempo to self-generated work.

Personal time and work time are balanced to allow for ample reflection and contemplation, giving all participants opportunity to experience the richness of Bearnstow's beautiful setting. The program is ideal for anyone interested in movement, performance, physical presence and composition, regardless of age, experience or ability.

Comments from previous Slow Tempo participants:

“The Slow Tempo work was astonishing! Any actor wanting to develop his or her sense of presence, economy, and immediacy in performance should explore this work.”
—Jonathan Becker, Actor, Director, Assistant Professor, Ball State University Theater Department

“Participating in Slow Tempo at Bearnstow was transformative. The balance of rigorous training, the natural beauty of Bearnstow, comaraderie and laughter made for a magical week. Peter Kyle’s teaching is clear and inviting, challenging and supportive.”
—Robin Gilmore, Director, Chesapeake Bay Alexander Studies (

“As a longtime dancer, dance educator, I believe Slow Tempo is a particularly valuable movement experience—generous in immediate, deeply personal lessons as well as enlightening in functional and biomechanical feedback. I recommend both the form and Peter Kyle’s teaching. Months after the workshop I still think about the work and experience the influence of it in my own dancing and choreography.”
—Lucy DuBose, MA, CMA, DTR

“In August I spent a week exploring performance in Slow Tempo in a camp by a lake in Maine. Time shifted perceptibly at Bearnstow that week and has stayed shifted every since. Rarely have I walked away from a workshop with such a sense of potential.”
—Carol Dilley, Director of Dance, Bates College

Peter Kyle is Artistic Director of Peter Kyle Dance in New York City. An accomplished choreographer, teacher, filmmaker, and critically acclaimed performer (Murray Louis & Nikolais Dance, Mark Morris Dance Group and Erick Hawkins Dance Company, among others), he first encountered Slow Tempo in 2000 while working on a produc­tion of Ohta’s Mizu No Eki, in Seattle. In 2002 he accompanied Pacific Performance Project/east to Japan to work with Mr. Ohta. He is among the first instructors in the United States to teach Mr. Ohta’s work. Peter is a highly regarded teacher of dance and movement for actors. He teaches currently at Sarah Lawrence College, Mary­mount Manhattan College and Bard College, and frequently conducts master classes, residencies and workshops throughout the United States and internationally. Peter holds an MFA in Dance from University of Washington and a BA in Dance and German Area Studies from Kenyon College.

For more information see

Download Peter Kyle’s CV (PDF).

Scott Giguere is a New Yorkbased actor and teacher, specializing in physical per­formance training techniques, which include the Suzuki Actor Training Method, View­points, and Shogo Ohta’s Slow Tempo work. He has taught movement and acting on the undergraduate and graduate levels at the University of Washington, Indiana Uni­versityBloomington, and Rutgers University. He is also a company member of Paci­fica Performance Project east where he continues to work with Suzuki master teach­ers Steven Pearson and Robyn Hunt, in addition to his ongoing work with Peter Kyle Dance as a performer and as the theatrical advisor for the company. He has ap­peared in regional theatres across the U.S. and on international stages. Scott earned his M.F.A. in Acting from the University of Washington in Seattle and is a member of Actors Equity Association.

Contact for more information.

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The 2017 Kyle–Giguere Workshop

“Slow Tempo”: Back row: Ruth Grauert, Peter Kyle, Scott Giguere, Andrew Fisher, Don Andress, Reeves DeVoe, Xan Scott, Leigh Lotocki, and Ellen Oliver; Front row seated: Marc Ferarro, Owen Prum, Mario Hernández, Angie Cole, Divyamaan Sahoo, and Chaesong Kim